I finally got around to (finding the camera) (charging the batteries) (getting stuff together) taking some pictures of current stuff. These are 2 postcards and a quilt that I've done in the last few days. The first postcard is thread painting on batik, with tiny little Christmas ornament musical instruments. I love when Christmas rolls around so I can find all the cool music stuff. Miniatures and larger ones, although I don't ever really have a need for harps, lyres and French horns.
The second postcard is commercial print fabric with guitar strings and a pick. Both are 4"x6" and are intended as thank you gifts for friends.
The quilt is 28"x40" and I used a Loni Rossi commercial print and black. I'll win the lottery one day and buy a couple of bolts of the Michael Miller black too. I go through that stuff like toilet paper. You can still see the chalk quilting lines but I haven't washed it yet. This one has a facing rather than a binding because I wasn't happy with any configuration of any color binding showing at all. I'm using the facing more and more on my stuff and it's no longer the last option I consider. I don't like the pillowcase method at all and the facing gives the same effect with a different technique. 'Gye Nyame' got counted off for binding technique at the quilt show the year she won the big honking prize even though she also has a facing. Just one of those confusing comments that make you wonder if the judges are even looking at what they're grading. Or maybe if the scribes are a couple of quilts behind in the notes. My favorite comment this past show was "border needs more quilting." On a quilt that has no border. I've always thought it interesting that judges make comments like that to begin with, since it's a judgement call by the quilter for what effect they want to produce. It's about on a par with "I don't like that color" as far as useful critique. That partly explains why I tend to submit to art shows more and more rather than quilt shows.