All three of these pieces use Lesley Riley's TAP for the faces. The transfers work beautifully on the burlap. I love working on burlap and I'm a recent convert to TAP, which I now love also. I've never been able to successfully transfer to burlap in any way that satisfied me before now, but this stuff is perfect for it. I did a quick and dirty demo of it at the June gathering of MQA after getting a ton of questions about it when I showed one of the pieces that I used it on. Thank goodness I bought the huge pack when she put it on sale.
Honeyboy Edwards, batik, burlap, cotton and upholstery fabric. TAP transfer and stamping. "The Blues is not going to never die."
Muddy Waters, batik, burlap and cotton, with TAP transfer and stencil. "That Mississippi sound, that Delta sound, is in them old records."