Periodically, the topic of what we're currently working on comes up on the QuiltArt list so I'm jumping in. We have some shows coming up so I'm trying to get ahead, instead of behind, on producing some work. I have a few pieces in exhibits and galleries right now that can be used for the shows, but not nearly enough. The upcoming event I'm most excited about is the Blues and Barbecue festival in New Orleans later this year so I'm sort of stressing the Blues aspect. The funny thing is, as I'm thinking of the Blues stuff designs, I'm getting flooded with ideas for other projects too. I have little design lists jotted down and scattered around my studio so I can come back to them when the time is right to put fabric to batting for them.
All three of these pieces use Lesley Riley's TAP for the faces. The transfers work beautifully on the burlap. I love working on burlap and I'm a recent convert to TAP, which I now love also. I've never been able to successfully transfer to burlap in any way that satisfied me before now, but this stuff is perfect for it. I did a quick and dirty demo of it at the June gathering of MQA after getting a ton of questions about it when I showed one of the pieces that I used it on. Thank goodness I bought the huge pack when she put it on sale.
Honeyboy Edwards, batik, burlap, cotton and upholstery fabric. TAP transfer and stamping. "The Blues is not going to never die."
Muddy Waters, batik, burlap and cotton, with TAP transfer and stencil. "That Mississippi sound, that Delta sound, is in them old records."
Robert Johnson, batik, burlap, cotton and upholstery fabric. TAP transfer and stamping. "Don't ever knock a bottle out of my hand."